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HTML

              
                <section class="wrapper">
	<div class="span-all">
		<h1 class="title serif caps centre">Local<br> Histories</h1>
		<p class="sans centre summary">15.12.2018 &ndash; 29.09.2019</p>
	</div>
	<div class="span-third">
		<p class="serif accent">Werke aus der Friedrich Christian Flick Collection im Hamburger Bahnhof, der Sammlung der Nationalgalerie und Leihgaben</p>
		<p class="serif accent">Works from the Friedrich Christian Flick Collection at Hamburger Bahnhof, the Nationalgalerie Collection and loans</p>
		<p class="placeholder">placeholder</p>
	</div>
	<div class="span-twothirds">
		<p class="placeholder"></p>
		<p class="sans summary justify">&bdquo;The history of art and art's condition at any time are pretty messy&ldquo; schreibt Donald Judd 1964 in einem Artikel, der sich der New Yorker Kunstszene widmet. Er wendet sich darin gegen traditionelle Unterscheidungen von Stilen und Gattungen
			und pl&auml;diert f&uuml;r eine ungezwungene Begegnung mit Kunstwerken. Judds Analysis einer lokalen Szene ist Augangspunkt f&uuml;r das Experiment. Werke aus der Friedrich Christian Flick Collection und der Sammlung der Nationalgalerie, erg&auml;zt
			durch ausgew&auml;hlte Leihgaben, in den Kontext ihrer Entstehung zu bringen.</p>
		<p class="sans summary">Welche Kunst war pr&auml;gend f&uuml;r Donald Judd? Was Verbindet Konrad Lueg, Sigmar Polke und Gerhard Richter? Welche Galerien haben Bruce Nauman oder Jenny Holzer in ihren fr&uuml;hen Karrierephasen unterst&uuml;tzt? Mintunter ungew&ouml;hnliche
			Werk-Aufstellungen liefern Momentaufnahmen aus dem New York und D&uuml;sseldorf der 1960er- und 1970er-Jahre, dem K&ouml;ln der 1980er-, dem Berlin und Los Angeles der 1990er Jahre.</p>
		<p class="sans summary">Im Fr&uuml;hjahr 2019 erscheint eine Publikation zur Ausstellung.</p>
	</div>
	<div class="span-half">
		<p class="fine-print justify sans">Abbildungen/Images Vorne/Front: Carl Andre, 5 x 20 Altstadt Rectangle, 1967, Installationansicht Galerie Konrad Frischer &copy; Archive Dorothee und Konrad Fischer, Stiftung Kunstsammlung Nordrhein-Westfalen, VG Bild-Kundst, Bonn 2018/Foto: Fred Kliche/Courtesy:
			Zentralarchive des internationalalen Kunsthandels ZADIK; Richard Jackson, Untitled(Wall Painting), 1988/2006 &copy; Saatliche Museen zu Berlin, Nationalgalerie/Foto: Roman Marz/Courtesy: Friedrich Christian Flick Collection im Hamburger Bahnhof/Richard
			Jackson und Hauser &amp; Wirth; Hinten/Back: George Segal,
	</div>
	<div class="span-half">
		<p class="fine-print justify sans">Man Installing Pepsi-Sign, 1973 &copy; The George and Helen Segal Foundation, VG Bild-Kunst, Bonn 2018 &copy; Staatliche Museen zu Berlin, Nationalgalerie/Foto; Andres Kilger/ Courtesy: Fredrich Christian Flick Collection im Hamburger Bahnhof; Cindy
			Sherman, Untitled (#123), 1983 &copy; Staatliche Museen zu Berlin, Nationalgalerie/Foto: Stefan Cindy Sherman, Spr&uuml; Magers und Metro Pictures.<br> Gestaltung/Graphic design NFL Team, www.nfl-team.de</p>
	</div>
	<div class="centre span-half">
		<p class="placeholder">placeholder</p>
	</div>
	<div class="span-fourth serif summary">
		<p>Eine Ausstellung der National galerie - Staatliche Museen Zu Berlin</p>
		<p><span class="caps">Udo Kittelmann</span> Direktor/Director Eine Ausstellung der National galerie - Staatliche Museen Zu Berlin</p>
		<p><span class="caps">Gabriele Knapstein</span> Leiterin/Head of Hamburger Bahnhof &ndash; Museum f&uuml;r Gegenwart &ndash; Berlin</p>
	</div>
	<div class="serif summary line-left span-fourth">
		<p><span class="caps">Matilda Felix</span> Kuratorin/Curator Hamburger Bahnhof &ndash; Museum f&uuml;r Gegenwart &ndash; Berlin</p>
		<p><span class="caps">Irina Hiebert</span><br>Grun Wissenschaftliche Mitarbeit/curatorial Assistance Hamburger Bahnhof &ndash; Museum f&uuml;r Gegenwart &ndash; Berlin</p>
	</div>
	<div class="summary span-fourth sans">
		<p>Mit Arbeiten von/<br> With works from:</p>
		<p>Joseph Albers<br> Carl Andre<br> Bernd und/and Hilla Becher<br> Lee Bontecou<br> George Brecht<br> John Chamberlain</p>
	</div>
	<div class="line-left summary span-fourth sans">
		<p>Hanne Darboven<br> Dan Flavin<br> Isa Genzken<br> Jenny Holzer<br> Richard Jackson<br> Allan Kaprow<br> Manfred Kuttner<br> Barbara Kruger<br> Louise Lawler</p>
	</div>
	<div class="line-left span-fourth summary sans">
		<p>Sol LeWitt<br> Konrad Lueg<br> Walter De Maria<br> Paul McCarthy<br> Robert Morris<br> Bruce Nauman
			<br>
				Claes Oldenburg<br> Sigmar Polke<br> Charlotte Posenenske<br> Jason Rhoades</p>
	</div>
	<div class="line-left span-fourth summary sans">
		<p>Gerhard Richter<br> George Segal<br> Tony Smith<br> Robert Smithson<br> Frank Stella<br> Wolfgang Tillmans<br> Rirkrit Tiravanija<br> Rosemarie Trockel<br> Lawrence Weiner</p>
	</div>

	<div class="span-threefourths sans summary justify">
		<p>The history of art and art's condition at any time are pretty messy", Donald Judd wrote in 1964 in an article on the New York art scene. In this piece he opposed traditional differentiations of style and genre, advocating instead a more casual encounter
			with works of art. Judd's analysis of the local art scene is the starting point for an experiment that takes works from the Friedrich Christian Flick Collection and the Collectino of the Nationalgalerie &ndash; enhanced by selected loans &ndash; and
			resituates them within the context of their making.</p>
		<p>Which art influenced Donald Judd? What connects Konrad Lueg, Sigmar Polke and Gerhard Richter? Which galleries supported Bruce Nauman and Jenny Holzer during the early stages of their careers? Occasionally unusual work constellations provide snapshots
			of New York and D&uuml;sseldorf in the 1960s and 1970s, Cologne in the 1980s, Berlin and Los Angeles in the 1990s.</p>
		<p>An exhibition catalogue will be published in spring 2019.</p>
	</div>
	<div class="span-fourth">
		<p class="placeholder">placeholder</p>
	</div>

	<div class="span-third">
		<p class="sans">
			Nationalgalerie im Hamburger Bahnhof &ndash; Museum f&uuml;r Gegenwart &ndash; Berlin</p>
	</div>
	<div class="line-left span-third">
		<p class="sans">
			Invalidenstraße 50-51<br/> 10557 Berlin</p>
		<p class="sans">
			www.smb.museum/hbf
		</p>
	</div>
	<div class="line-left span-third">
		<p class="sans fine-print">
			Offnungszeiten/Opening hours<br/> Di, Mi, Fr/Tu, Wed, Fri 10-18<br/> Do/Thu 10-20<br/> Sa, So/Sat, Sun 11-19</p>
	</div>

</section>
              
            
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CSS

              
                @import url('https://fonts.googleapis.com/css?family=Cardo|Work+Sans&display=swap');

:root {
	--coral: #FF7A63;
	--jade:  #275244;
}
body {
	background: var(--jade);
	margin: 0;
	padding: 20px;
	color: var(--coral);
	font-size: 14px;
	line-height: 1.25;
}


.wrapper {
	display: grid;
	grid-template-columns: repeat(12, 1fr);
	grid-gap: 1em 3em;
	
}

/* TYPE */
.sans {
	font-family: 'Work Sans', Helvetica, Arial, sans-serif;
}

.serif {
	font-family: 'Cardo', Garamond, 'Times New Roman', serif;
}

.centre {
	text-align: center;
}

.title {
	font-size: 10em;
	line-height: 90%;
	margin: 40px 0;
}

.summary {
	font-size: 1.5em;
	line-height: 1.35;
}

.accent {
	font-size: 2.5em;
	line-height: 120%;
	margin: 20px 0;
}

.caps {
	text-transform: uppercase;
}

.justify {
	text-align: justify;
}

.fine-print {
	font-size: 8px;
}
/*LINES*/

.line-btm {
	border-bottom: 1px solid var(--coral);
	width: 100%;
	padding: 10px 0;
}

.line-left {
	border-left: 1px solid var(--coral);
	padding: 0 10px;
}

/* IMAGES */
.placeholder {
	border: 1px solid var(--coral);
	padding: 10px;
	text-align: center;
	min-height: 300px;
}

/* GRID */
.span-all {
	grid-column: span 12;
}

.span-third {
	grid-column: span 4;
}

.span-fourth {
	grid-column: span 3;
}

.span-half {
	grid-column: span 6;
}

.span-twothirds {
	grid-column: span 8;
}

.span-threefourths {
	grid-column: span 9;
}
              
            
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JS

              
                
              
            
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999px

Console