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                <link href="https://fonts.googleapis.com/css?family=Orbitron" rel="stylesheet">

<style>
    h1 {
        font-family: Orbitron, monospace;
    }
</style>

<div class="container-fluid">
    <div class="row">
        <h1 class="text-center text-primary">DJ Hype</h1>
        <h2 class="text-center lead">Influential drum and bass DJ/producer of the last 3 decades</h2>
        <div class="col-xs-8 col-xs-offset-2">
            <div class="well center-block">
                <img class="center-block img-responsive img-rounded" src="http://i.imgsafe.org/319f09e59b.jpg">
            </div>
        </div>



        <div class="row">
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                    <ul>
                        <li>Real Name: Kevin Elliot Ford</li>
                        <li>Although his Ganja Records label and tracks released under his own name and with the Ganja Kru have helped, it's the 'DJ' at the front of Hype's name that has proved most important in raising his profile to the level of the Grooverider's,
                            Goldie's, and LTJ Bukem's of Drum'n'Bass.</li>

                        <li>A battle DJ of renown (he represented England in the 1989 DMCs), Hype had a history of electrifying deckwork before moving on from his reggae and hip-hop roots in the late '80s and latching onto house and hardcore.</li>
                        <li>He was an early force on one of London's most influential pirate stations, Fantasy FM, and since then he's consistently topped bills on the international DJ circuit, landing awards for Best Male DJ and Best Radio DJ (in 1994 and
                            1995, respectively) at the U.K.'s prestigious Hardcore Awards. He's also one of London's popular Kiss FM's biggest attractions and was the force behind Suburban Base's popular multi-volumed mixed compilation series, Drum and
                            Bass Selection.
                        </li>
                        <li>A champion of jungle's dancefloor purity, Hype has also rallied consistently against jungle's compartmentalization into artificial "scenes" such as ambient/intelligent and hip-hop/ragga. (Of course, his sets tend to consist almost
                            exclusively of the latter, which somewhat undermines his argument.)</li>
                        <li>Hype began producing in 1990, engineering and co-producing tracks (including chart-toppers such as "Exorcist" and "The Bee" by <a href="http://www.discogs.com/artist/7370-The-Scientist" target="_blank">The Scientist)</a> for hardcore
                            staples <a href="http://www.discogs.com/label/628-Kickin-Records" target="_blank">Kickin Records</a>, Strictly Underground, and Sub Base.</li>
                        <li>Although he never lost touch with his breakbeat roots (even going so far as to spin hip-hop instrumentals over house tracks to add a bit of rhythmic flare), it wasn't until he launched his own Ganja label in 1994 (with "Cops")
                            that he began seriously focusing on the post-rave possibilities of sampled breaks.</li>
                        <li>The Ganja label's almost immediate popularity -- primarily through floor-fillers such as <a href="http://www.discogs.com/artist/1398-DJ-Zinc" target="_blank">DJ Zinc</a>'s penultimate 1995 anthem "Super Sharp Shooter" -- peaked
                            in late 1995 with Still Smokin', a combined-release label compilation between Ganja and cohort Pascal's Frontline imprint, which became one of the highest-selling independent jungle compilations. Re-pressed in 1997, that success
                            also led to a major label deal with MCA's Parousia sublabel and the establishment of True Playaz Music, a Hype-led DJ and production unit also including Zinc, <a href="http://www.discogs.com/artist/1545-Pascal" target="_blank">Pascal</a>,
                            and <a href="http://www.discogs.com/artist/8531-Rude-Bwoy-Monty" target="_blank">Rude Bwoy Monty</a>. True Playaz the label has also come to the fore as one of the more consistent outlets for innovative hardstep, a style that
                            all but disappeared during the jump-up- and techstep-dominated mid-'90s.</li>
                        <li>A full list of his work can be found on the <a href="https://www.discogs.com/" target="_blank">Discogs</a> website which is where this post was <a href="https://www.discogs.com/artist/2323-DJ-Hype?sort=year%2Cdesc&limit=500&layout=big"
                                target="_blank">sourced </a>from.</li>
                    </ul>
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                <div class="well center-block">
                    <!-- This is how the link should be done with the _blank tag so it opens a new browser tab. -->
                    <p>There is also a Wikipedia entry <a href="https://en.wikipedia.org/wiki/DJ_Hype" target="_blank">here</a> with some more detail.</p>

                    <p>Whilst researching for this page I also come across a podcast mentioned on the <a href="https://playaz.co.uk/audio/dj-hypes-history-lesson/" target="_blank">DJ Hype's history lesson</a> which I have linked and embedded here.</p>

                    <p>You can download it too!</p>

                    <iframe width="100%" height="166" scrolling="no" frameborder="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/152943564&amp;color=ff5500"></iframe>
                </div>
            </div>
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                <div class="well center-block">
                    <p>Some great images of him <a href="https://www.discogs.com/artist/2323-DJ-Hype/images" target="_blank">here</a> too, added my favourite below</p>
                    <img class="center-block img-responsive img-rounded" src="https://img.discogs.com/bLaPertPnHb3SFtzsIZn8iPbF1Y=/fit-in/600x423/filters:strip_icc():format(jpeg):mode_rgb():quality(90)/discogs-images/A-2323-1165888500.jpeg.jpg">
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CSS

              
                body
{
  background: #E0E0E0;
  #background: url(http://i.imgsafe.org/319f224deb.jpg) repeat-x;
}
div.row {
  margin: 60px 0;
}


              
            
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