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Here you can Sed posuere consectetur est at lobortis. Donec ullamcorper nulla non metus auctor fringilla. Maecenas sed diam eget risus varius blandit sit amet non magna. Donec id elit non mi porta gravida at eget metus. Praesent commodo cursus magna, vel scelerisque nisl consectetur et.

            
              
<head>
<title>Armin Hofmann</title>
<link href="https://fonts.googleapis.com/css?family=Noto+Sans:400,400i,700" rel="stylesheet">
<link href="style.css" rel="stylesheet" type="text/css">
</head>
<body>
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	<div id="text1"><b>Armin Hofmann</b> is one of the most exceptionally influential teachers the field of graphic design has seen. He is also a designer of great accomplishment, a leading member of a remarkable generation of Swiss practitioners whose work and thinking continues to have a determining effect on the international understanding of graphic design. There is, however, nothing doctrinaire or circumscribed about Hofmann's Swissness. His insights and practice transcend any sense of nationality or "school" and attain a level that many of those who experienced the challenge of studying under his tutelage would regard as elemental. A significant number of those students-among them Kenneth Hiebert, April Greiman, Robert Probst, Steff Geissbuhler, Hans-Ulrich Allemann, Inge Druckrey and the late Dan Friedman-went on to become leading designers and educators themselves.
    </div>
    <div id="text2">Hofmann was born in Winterthur, Switzerland, in 1920. After studying at the School of Arts and Crafts in Zurich, he worked as a lithographer in Basel and Bern, and opened a studio in Basel. In 1947, he began teaching at the Basel School of Arts and Crafts after meeting Emil Ruder on a train and learning that the school was looking for a teacher. Hofmann would remain there for 40 years. In 1968, he initiated the advanced class for graphic design, and in 1973 he became head of the graphic design department. He first taught in the United States at Philadelphia College of Art in 1955, and shortly after began teaching at Yale University, where he played a key role until his resignation in 1991. In 1965, he published Graphic Design Manual, a distillation of the essential principles of his rational approach to teaching design.
	</div>
	</div>
<div class="work"><img src="http://res.cloudinary.com/sebastianaro/image/upload/v1510597262/hof1_hiuoam.jpg"><img src="http://res.cloudinary.com/sebastianaro/image/upload/v1510597261/hof2_azddcj.gif">
</div>

</body>

            
          
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