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                <h1>Idina Menzel</h1>

<p>Idina Kim Menzel (/ɪˈdiːnə mɛnˈzɛl/; née Mentzel; born May 30, 1971) is an American actress, singer, and songwriter. Menzel rose to prominence when she originated the role of Maureen Johnson in the Broadway musical Rent. Her performance earned her a Tony Award nomination in 1996. She reprised the character in the musical's 2005 film adaptation. In 2003, Menzel originated the role of Elphaba in the Broadway musical Wicked, a performance for which she won the 2004 Tony Award for Best Actress in a Musical. Menzel returned to Broadway as Elizabeth Vaughan in the 2014 musical If/Then, which earned her a third Tony Award nomination. </p>

<h2>Career</h2>

<h3>Theater career</h3>

<p>In 1995, Menzel auditioned for Rent, which became her first professional theatre job and her Broadway debut. Rent opened Off-Broadway at the New York Theatre Workshop on January 26, 1996, but it moved to Broadway's Nederlander Theatre due to its popularity. For her performance as Maureen Johnson in the original cast of the musical, Menzel received a Tony nomination as Best Featured Actress in a Musical losing to Ann Duquesnay for Bring in 'da Noise, Bring in 'da Funk. Her final performance in the musical was on July 1, 1997.</p>

<p>Following the success of Rent, Menzel released her first solo album entitled Still I Can't Be Still on Hollywood Records, Menzel also originated the role of Dorothy in Summer of '42 at Goodspeed Opera House in Connecticut, starred as Sheila in the New York City Center Encores! production of Hair and appeared on Broadway as Amneris in Aida. Menzel earned a Drama Desk Award nomination for her performance as Kate in the Manhattan Theatre Club's 2000 Off-Broadway production of Andrew Lippa's The Wild Party. Her other Off-Broadway credits include the pre-Broadway run of Rent and The Vagina Monologues.</p>

<h3>Music career</h3>

<p>Menzel performed at the 1998 Lilith Fair summer concert festival and continues to write and perform original music. She has toured extensively and frequently performs in various venues throughout New York City. She produced and released her debut album, Still I Can't Be Still, for Hollywood Records in 1998. One single from the album, "Minuet," made the Radio & Records CHR/Pop Tracks chart at number 48 in October 1998. Following the album release, she embarked on her Still I Can't Be Still Tour, but after selling fewer than 10,000 copies in the US and missing the Billboard 200, Menzel's label put the album out of print, and she was dropped from the label. However, the album was re-released once she began to rise to greater fame with her Tony-winning performance in Wicked. </p>

<h2>Artistry</h2>

<p>Menzel is usually classified as a mezzo-soprano. Writing for the Pittsburgh Post-Gazette, Sharon Eberson wrote, "Possessing a voice that could be categorized as coquettish to flat-out belter and everything in between—and with a stage presence to match—she usually is labeled a mezzo-soprano. But why pigeonhole someone so intriguingly offbeat? Ms. Menzel interprets songs as much as an actress as a singer, and therein lies her connection to the music and her fans." Describing Menzel as a loud, "full-volume soprano" similar to Broadway actress Ethel Merman, Stephen Holden of The New York Times wrote of Menzel's voice, "The sound she creates when she belts in her high soprano register is a primal cry embedded in her being that insists that we listen and pay attention." Holden continued, "Depending on the song, [her voice] can sound babyish and demanding, or it can sound grand and imperial."</p>

<p>Describing Menzel as a singer with a "husky voice, which sometimes veers toward shrieking until she effortlessly reins herself in or, amazingly, kicks it up another notch," Melissa Ruggieri of The Atlanta Journal-Constitution concluded that she possesses "a superior instrument" both in-studio and live. On her own vocal technique, Menzel revealed that she prefers to avoid moving her shoulders while singing, telling The Philippine Star, "I actually try to take a smaller breath for a bigger, longer note because there's less air that will come pummeling out." Professionally trained as a classical singer from age eight, Menzel decided to pursue other genres, specifically R&B and jazz, when she entered high school. Upon becoming a wedding singer, Menzel was eventually exposed to a wide variety of genres, ranging from jazz and rock to Motown.</p>
              
            
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