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HTML

              
                <!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
<html lang="en" xml:lang="en" xmlns="http://www.w3.org/1999/xhtml">
  <head>
    <meta http-equiv="Content-Type" content="text/html; charset=UTF-8">
    <meta name="viewport" content="width=device-width">
    <title>The New Yorker Recommends</title>
    <style type="text/css">
      @media only screen and (max-width: 480px) {
        .river-item .item-content {
          padding-top: 0;
        }
        .items-content.grid .padded,
        .items-content.stacked .padded {
          padding-top: 0;
          padding-bottom: 0;
        }
        .items-content.fullwidth .padded {
          padding-bottom: 0;
        }
        .items-content.fullwidth.first.has-hed .padded {
          padding-top: 0;
        }
        .river-item.grid .item-content,
        .river-item.stacked .item-content {
          padding-bottom: 30px;
        }
        .items-content.grid .externallink,
        .items-content.stacked .externallink {
          padding-bottom: 30px;
        }
        .externallink .river-item.grid .item-content,
        .externallink .river-item.stacked .item-content {
          padding-top: 0;
          padding-bottom: 0;
        }
        .items-content.grid .item.externallink+.item .item-content {
          padding-top: 30px;
        }
        .river-item.stacked .item-content {
          padding-top: 20px;
        }
        .boilerplate .policy-unsubscribe {
          max-width: 50% !important;
        }
      }
      @media only screen and (max-width: 480px) {
        body {
          width: 100% !important;
          min-width: 100% !important;
        }
        table[id="emailBody"],
        table[class="flexibleContainer"] {
          width: 100% !important;
        }
        h1,
        h2,
        h3,
        h4,
        h5,
        h6,
        .button-content,
        .container-hed {
          text-align: center;
        }
        .rubric {
          margin: 0 auto;
        }
        .cta {
          margin: 1em auto 0;
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        .river-item {
          width: 100%;
        }
        .river-item .item-content {
          padding-top: 10px;
        }
        .river-item.stacked.item-content {
          min-height: 1px;
        }
        .item-content {
          float: inherit;
          min-height: 0 !important;
          text-align: center;
        }
        .padded {
          padding-bottom: 20px;
        }
        .ad {
          padding: 0;
        }
        .cm-unit {
          padding: 20px 0 0 0;
        }
        .containers .container:first-child .section-header td {
          padding-top: 0;
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        footer .padded {
          padding-bottom: 0;
        }
        img[class="flexibleImage"] {
          height: auto !important;
          width: 100% !important;
        }
        table[class="emailButton"] {
          width: 100% !important;
        }
      }
    </style>
    <style type="text/css">
      .stories a.msoLink {
        color: #121212 !important;
        text-decoration: none;
      }
      .rubric a.msoLink {
        color: #df3331 !important;
      }
      .button-content a.msoLink {
        border: 20px solid #087cc3 !important;
        color: #ffffff !important;
        margin: 0 !important;
      }
    </style>

    <!--[if mso 12]>
<style type="text/css">
.flexibleContainer{display:block !important; width:100% !important;}
</style>
<![endif]-->

    <!--[if mso 14]>
<style type="text/css">
.flexibleContainer{display:block !important; width:100% !important;}
</style>
<![endif]-->
  </head>
  <body style="margin: 0; padding: 0; -ms-text-size-adjust: 100%; -webkit-text-size-adjust: 100%; background-color: #F5F5F5; height: 100%; width: 100%;">
    <center>
      <table border="0" cellpadding="0" cellspacing="0" height="100%" width="100%" id="bodyTable" role="presentation" style="border-collapse: collapse; mso-table-lspace: 0pt; mso-table-rspace: 0pt; -ms-text-size-adjust: 100%; -webkit-text-size-adjust: 100%; margin: 0; padding: 0; font-size: 1em; background-color: #F5F5F5; height: 100%; width: 100%;" bgcolor="#F5F5F5">
        <tr>
          <td align="center" valign="top" id="bodyCell" style="mso-table-lspace: 0pt; mso-table-rspace: 0pt; -ms-text-size-adjust: 100%; -webkit-text-size-adjust: 100%; margin: 0; padding: 0; height: 100%; width: 100%;" width="100%" height="100%">
            <table border="0" cellpadding="0" cellspacing="0" width="560" id="emailBody" role="presentation" style="border-collapse: collapse; mso-table-lspace: 0pt; mso-table-rspace: 0pt; -ms-text-size-adjust: 100%; -webkit-text-size-adjust: 100%; background-color: #FFFFFF; max-width: 100%; width: 560px; max-width: 100vw;" bgcolor="#FFFFFF">
              <tr>
                <td align="center" valign="top" style="mso-table-lspace: 0pt; mso-table-rspace: 0pt; -ms-text-size-adjust: 100%; -webkit-text-size-adjust: 100%;">
                  <header>
                    <table border="0" cellpadding="0" cellspacing="0" width="100%" role="presentation" style="border-collapse: collapse; mso-table-lspace: 0pt; mso-table-rspace: 0pt; -ms-text-size-adjust: 100%; -webkit-text-size-adjust: 100%;">
                      <tr class="container header-content">
                        <td align="center" valign="top" style="mso-table-lspace: 0pt; mso-table-rspace: 0pt; -ms-text-size-adjust: 100%; -webkit-text-size-adjust: 100%;">
                          <table border="0" cellpadding="0" cellspacing="0" width="560" class="flexibleContainer" role="presentation" style="border-collapse: collapse; mso-table-lspace: 0pt; mso-table-rspace: 0pt; -ms-text-size-adjust: 100%; -webkit-text-size-adjust: 100%; max-width: 100vw;">
                            <tr>
                              <td align="center" valign="top" width="100%" class="padded" style="mso-table-lspace: 0pt; mso-table-rspace: 0pt; -ms-text-size-adjust: 100%; -webkit-text-size-adjust: 100%; padding-top: 20px; padding-right: 20px; padding-left: 20px; max-width: 100vw; padding: 0;">
                                <table border="0" cellpadding="0" cellspacing="0" width="100%" role="presentation" style="border-collapse: collapse; mso-table-lspace: 0pt; mso-table-rspace: 0pt; -ms-text-size-adjust: 100%; -webkit-text-size-adjust: 100%;">
                                  <td valign="top" class="item-content padded pre-content-wrap" style="mso-table-lspace: 0pt; mso-table-rspace: 0pt; -ms-text-size-adjust: 100%; -webkit-text-size-adjust: 100%; font-family: 'Lucida Grande', Verdana, sans-serif; color: #222; line-height: 125%; font-size: .7em; padding-left: 10px; padding-right: 10px; text-align: left; max-width: 100vw; padding-top: 12px; padding: 5px 0 12px;" align="left">
                                    <div style="display:none"><a href=""><img src="https://link.newyorker.com/img/5d50bc2d7ace5a120042d168alhzn.2anp/509097f0.gif" alt="" border="0" /></a></div>
                                    <p style="-ms-text-size-adjust: 100%; -webkit-text-size-adjust: 100%; margin: 1em 0 0; font-weight: normal; color: #121212; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 10px; line-height: 0.45; text-align: center;">
                                      <span class="teaser" style="color: #FFFFFF;">Richard Brody reviews the upcoming cinema. Plus: Alex Ross on the opera composer who went hollywood.\</span><br>
                                      <span class="offline-view" style="display: inline-block; margin-top: 10px;">
<a href="#" xt="SPCLICKTOVIEW" name="browser_view" target="_blank" style="-ms-text-size-adjust: 100%; -webkit-text-size-adjust: 100%; color: #aaa; text-decoration: underline;"> 
View in browser
</a>
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                                  <tr>
                                    <td valign="top" class="item-content padded logo" style="mso-table-lspace: 0pt; mso-table-rspace: 0pt; -ms-text-size-adjust: 100%; -webkit-text-size-adjust: 100%; padding-top: 20px; padding-right: 20px; padding-left: 20px; font-family: 'Lucida Grande', Verdana, sans-serif; color: #222; font-size: 16px; line-height: 125%; text-align: left; max-width: 100vw; padding: 0;" align="left">
                                      <h1 style="margin: 0; padding: 0; color: #202020; font-size: 20px; text-align: center; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; line-height: 125%;">
                                        <a name="header-image" target="_blank" href="https://www.newyorker.com?utm_campaign=aud-dev&utm_source=nl&utm_brand=tny&utm_mailing=TNY_Recommends_081719&utm_medium=email&bxid=5d50bc2d7ace5a120042d168&cndid=&utm_term=TNY_Recommends" style="-ms-text-size-adjust: 100%; -webkit-text-size-adjust: 100%; color: #222; text-decoration: none;">
                                          <img src="https://media.newyorker.com/photos/5b1e99ec5ee2c7040773fd2e/master/w_1120%2Cc_limit/[email protected]" srcset="https://media.newyorker.com/photos/5b1e99ec5ee2c7040773fd2e/master/w_560%2Cc_limit/[email protected] 1x, https://media.newyorker.com/photos/5b1e99ec5ee2c7040773fd2e/master/w_1120%2Cc_limit/[email protected] 2x, https://media.newyorker.com/photos/5b1e99ec5ee2c7040773fd2e/master/w_1680%2Cc_limit/[email protected] 3x" class="responsive" alt style="-ms-interpolation-mode: bicubic; display: block; border: 0; outline: none; text-decoration: none; width: 100%; height: auto;">
                                        </a>
                                      </h1>
                                    </td>
                                  </tr>
                                  <tr>
                                    <td valign="top" class="item-content padded body" style="mso-table-lspace: 0pt; mso-table-rspace: 0pt; -ms-text-size-adjust: 100%; -webkit-text-size-adjust: 100%; padding-top: 20px; padding-right: 20px; padding-left: 20px; line-height: 125%; max-width: 100vw; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 13px; font-weight: bold; text-align: center; color: #333333; padding-bottom: 30px; padding: 40px; border-bottom: 20px solid #f5f5f5;" align="center">
                                      <table role="presentation" align="center" class="body-image" style="border-collapse: collapse; mso-table-lspace: 0pt; mso-table-rspace: 0pt; -ms-text-size-adjust: 100%; -webkit-text-size-adjust: 100%;">
                                        <tr>
                                          <td align="center" style="mso-table-lspace: 0pt; mso-table-rspace: 0pt; -ms-text-size-adjust: 100%; -webkit-text-size-adjust: 100%; max-width: 100vw;">
                                            <img src="https://media.newyorker.com/photos/5d55d3b013c4e90009bb9e4d/master/w_1120%2Cc_limit/190826_r34804.jpg" srcset="https://media.newyorker.com/photos/5d55d3b013c4e90009bb9e4d/master/w_560%2Cc_limit/190826_r34804.jpg 1x, https://media.newyorker.com/photos/5d55d3b013c4e90009bb9e4d/master/w_1120%2Cc_limit/190826_r34804.jpg 2x, https://media.newyorker.com/photos/5d55d3b013c4e90009bb9e4d/master/w_1680%2Cc_limit/190826_r34804.jpg 3x" class="responsive" alt="Ad Astra, Harriet, and The Irishman" role="presentation" style="border: 0; outline: none; text-decoration: none; -ms-interpolation-mode: bicubic; display: block; width: 100%; height: auto;">
                                          </td>
                                        </tr>
                                      </table>
                                      <p style="-ms-text-size-adjust: 100%; -webkit-text-size-adjust: 100%; margin: .4em 0 0; padding: 0 0 20px 0; font-family: Graphik Web,Helvetica Neue,Helvetica,Arial,sans-serif; font-size: 11px; font-weight: 500; line-height: 1.18; text-align: left; color: #bbb;">Illustration by Max Dalton</p>
                                      <h3 class="hed" style="margin: 0; padding: 0; text-align: center; font-family: Georgia, Times, 'Times New Roman', serif; font-size: 28px; line-height: 1.14; font-weight: normal; color: #121212;">

                                        <!--[if gte mso 12]><![endif]-->Fall Movies Preview: High-Profile Fantasies, New Bio-Pics, and Films from Netflix

                                        <!--[if gte mso 12]><![endif]-->
                                      </h3>
                                      <p style="-ms-text-size-adjust: 100%; -webkit-text-size-adjust: 100%; margin: 1em 0 0; font-family: Georgia, Times, 'Times New Roman', serif; font-size: 18px; font-weight: normal; line-height: 1.44; text-align: left; color: #121212;">The New York Film Festival, at Lincoln Center (Sept. 27-Oct. 13), is the city&#x2019;s main movie event, and this year&#x2019;s edition includes a trio of films from Netflix. The festival&#x2019;s opening-night offering is Martin Scorsese&#x2019;s &#x201C;The Irishman,&#x201D; starring Robert De Niro as a hit man whose exploits connect with politics&#x2014;in particular, the real-life disappearance, in 1975, of the union leader Jimmy Hoffa (played by Al Pacino). Joe Pesci, Harvey Keitel, and Anna Paquin co-star. Noah Baumbach&#x2019;s romantic drama &#x201C;Marriage Story,&#x201D; the festival&#x2019;s centerpiece, stars Scarlett Johansson and Adam Driver as an actress and a playwright going through a bitter divorce; Laura Dern, Alan Alda, and Ray Liotta co-star. Among the festival&#x2019;s main slate of films will be the French actress and director Mati Diop&#x2019;s first feature, &#x201C;Atlantics,&#x201D; a drama set in Dakar, Senegal, about a young woman named Ada (Mame Bineta Sane) who confronts supernatural disturbances when her family thwarts her relationship with a construction worker (Ibrahima Traor&#xE9;).</p>
                                      <p style="-ms-text-size-adjust: 100%; -webkit-text-size-adjust: 100%; margin: 1em 0 0; font-family: Georgia, Times, 'Times New Roman', serif; font-size: 18px; font-weight: normal; line-height: 1.44; text-align: left; color: #121212;">Bio-pics, as ever, are prominent among fall releases, but this year&#x2019;s batch covers a distinctive range of historical figures. &#x201C;Harriet&#x201D; (Nov. 1), directed by Kasi Lemmons (who wrote the script with Gregory Allen Howard), stars Cynthia Erivo as Harriet Tubman, who escaped slavery, liberated hundreds of other enslaved Africans via the Underground Railroad, and worked on behalf of women&#x2019;s suffrage. Janelle Mon&#xE1;e, Joe Alwyn, and Leslie Odom, Jr., co-star. Ren&#xE9;e Zellweger plays Judy Garland in &#x201C;Judy&#x201D; (Sept. 27), which is centered on the singer&#x2019;s performances in London in 1968, the year before her death. It&#x2019;s directed by Rupert Goold; Rufus Sewell co-stars, as Garland&#x2019;s husband Sid Luft, and Jessie Buckley plays her assistant. In James Mangold&#x2019;s drama &#x201C;Ford v Ferrari&#x201D; (Nov. 15), Matt Damon plays the car designer Carroll Shelby and Christian Bale plays the race-car driver Ken Miles, who, in the mid-sixties, joined forces to take part in the twenty-four-hour Le Mans competition. &#x201C;Hustlers&#x201D; (Sept. 13), written and directed by Lorene Scafaria, is based on the true story of a group of New York strippers who teamed up, after the 2008 financial crisis, to extract money from rich men by any means necessary. Constance Wu, Cardi B, and Jennifer Lopez star; Julia Stiles plays a journalist reporting on their deeds.</p>
                                      <p style="-ms-text-size-adjust: 100%; -webkit-text-size-adjust: 100%; margin: 1em 0 0; font-family: Georgia, Times, 'Times New Roman', serif; font-size: 18px; font-weight: normal; line-height: 1.44; text-align: left; color: #121212;">High-profile fantasies extend from outer space to Gotham City. James Gray&#x2019;s science-fiction drama, &#x201C;Ad Astra&#x201D; (Sept. 20), is the story of an astronaut (Brad Pitt) who undertakes a dangerous mission to find his father (Tommy Lee Jones) deep in space. Liv Tyler, Ruth Negga, and Donald Sutherland co-star. In Pedro Almod&#xF3;var&#x2019;s movie-centered drama &#x201C;Pain and Glory&#x201D; (Oct. 4), Antonio Banderas plays an aged director whose creative and personal struggles unleash a torrent of memories, including ones involving his mother (Pen&#xE9;lope Cruz). The South Korean director Bong Joon-ho&#x2019;s thriller &#x201C;Parasite&#x201D; (Oct. 11) follows members of a poor family in Seoul who, under false pretenses, move into a rich family&#x2019;s palatial home. &#x201C;Joker&#x201D; (Oct. 4), the latest installment in the Batman series, stars Joaquin Phoenix in a tale of the villain&#x2019;s turn to the dark side. Robert De Niro, Zazie Beetz, and Marc Maron co-star, and Dante Pereira-Olson plays Bruce Wayne.</p>
                                      <p style="-ms-text-size-adjust: 100%; -webkit-text-size-adjust: 100%; margin: 1em 0 0; font-family: Georgia, Times, 'Times New Roman', serif; font-size: 18px; font-weight: normal; line-height: 1.44; text-align: left; color: #121212;"><em>&#x2014;Richard Brody</em></p>
                                    </td>
                                  </tr>
                                </table>
                              </td>
                            </tr>
                          </table>
                        </td>
                      </tr>
                    </table>
                  </header>
                </td>
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                  <main>
                    <table class="stories" border="0" cellpadding="0" cellspacing="0" width="100%" role="presentation" style="border-collapse: collapse; mso-table-lspace: 0pt; mso-table-rspace: 0pt; -ms-text-size-adjust: 100%; -webkit-text-size-adjust: 100%;">
                      <tr class="container items-container">
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                          <table class="list-container" role="list" style="border-collapse: collapse; mso-table-lspace: 0pt; mso-table-rspace: 0pt; -ms-text-size-adjust: 100%; -webkit-text-size-adjust: 100%;">
                            <tr class="container items-content stacked channel-home first last" role="listitem" style="padding-bottom: 20px;">
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                                <table border="0" cellpadding="0" cellspacing="0" width="560" class="flexibleContainer" role="presentation" style="border-collapse: collapse; mso-table-lspace: 0pt; mso-table-rspace: 0pt; -ms-text-size-adjust: 100%; -webkit-text-size-adjust: 100%; max-width: 100vw;">
                                  <tr>
                                    <td align="center" valign="top" width="560" class="padded" style="mso-table-lspace: 0pt; mso-table-rspace: 0pt; -ms-text-size-adjust: 100%; -webkit-text-size-adjust: 100%; padding-right: 20px; padding-left: 20px; max-width: 100vw; padding-top: 30px; padding-bottom: 30px; border-bottom: 20px solid #f5f5f5;">
                                      <a class="item article " href="https://www.newyorker.com/newsletter/sunday" name="container-1-item-1" target="_blank" style="-ms-text-size-adjust: 100%; -webkit-text-size-adjust: 100%; text-decoration: none; display: block;">
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                                          <tr>
                                            <td align="left" valign="top" class="imageContent" style="mso-table-lspace: 0pt; mso-table-rspace: 0pt; -ms-text-size-adjust: 100%; -webkit-text-size-adjust: 100%; max-width: 100vw;">

                                              <!--[if gte mso 12]><a href="https://link.newyorker.com/click/17799251.107125/aHR0cHM6Ly93d3cubmV3eW9ya2VyLmNvbS9uZXdzbGV0dGVycy9zaWduLXVwLWZvci10aGUtc3VuZGF5LW5ld3NsZXR0ZXI_dXRtX2NhbXBhaWduPWF1ZC1kZXYmdXRtX3NvdXJjZT1ubCZ1dG1fYnJhbmQ9dG55JnV0bV9tYWlsaW5nPVROWV9SZWNvbW1lbmRzXzA4MTcxOSZ1dG1fbWVkaXVtPWVtYWlsJmJ4aWQ9NWQ1MGJjMmQ3YWNlNWExMjAwNDJkMTY4JmNuZGlkPQ/5d50bc2d7ace5a120042d168C9bcc7836" class="msoLink msoLink-image" target="_blank"><![endif]-->
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                                              <!--[if gte mso 12]></a><![endif]-->
                                            </td>
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                                        </table>
                                        <table align="right" border="0" cellpadding="0" cellspacing="0" width="250" class="flexibleContainer river-item stacked text " role="presentation" style="border-collapse: collapse; mso-table-lspace: 0pt; mso-table-rspace: 0pt; -ms-text-size-adjust: 100%; -webkit-text-size-adjust: 100%; max-width: 100vw;">
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                                            <td valign="middle" class="item-content" style="mso-table-lspace: 0pt; mso-table-rspace: 0pt; -ms-text-size-adjust: 100%; -webkit-text-size-adjust: 100%; font-family: 'Lucida Grande', Verdana, sans-serif; color: #222; font-size: 16px; line-height: 125%; text-align: left; max-width: 100vw;" align="left">
                                              <span class="rubric" style="margin: 0; font-family: Georgia, Times, 'Times New Roman', serif; font-size: 13px; font-style: italic; color: #df3331; padding-right: 18px; display: block; line-height: normal; padding-bottom: 10px;">

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                                <a class="item article " href="https://www.newyorker.com/magazine/2019/08/19/erich-wolfgang-korngold-the-opera-composer-who-went-hollywood?utm_campaign=aud-dev&utm_source=nl&utm_brand=tny&utm_mailing=TNY_Recommends_081719&utm_medium=email&bxid=5d50bc2d7ace5a120042d168&cndid=&utm_term=TNY_Recommends" name="container-2-item-1" target="_blank" style="-ms-text-size-adjust: 100%; -webkit-text-size-adjust: 100%; text-decoration: none; display: block;">
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                                        <!--[if gte mso 12]><a href="https://link.newyorker.com/click/17799251.107125/aHR0cHM6Ly93d3cubmV3eW9ya2VyLmNvbS9tYWdhemluZS8yMDE5LzA4LzE5L2VyaWNoLXdvbGZnYW5nLWtvcm5nb2xkLXRoZS1vcGVyYS1jb21wb3Nlci13aG8td2VudC1ob2xseXdvb2Q_dXRtX2NhbXBhaWduPWF1ZC1kZXYmdXRtX3NvdXJjZT1ubCZ1dG1fYnJhbmQ9dG55JnV0bV9tYWlsaW5nPVROWV9SZWNvbW1lbmRzXzA4MTcxOSZ1dG1fbWVkaXVtPWVtYWlsJmJ4aWQ9NWQ1MGJjMmQ3YWNlNWExMjAwNDJkMTY4JmNuZGlkPQ/5d50bc2d7ace5a120042d168C4a62fd5a" class="msoLink msoLink-image" target="_blank"><![endif]-->
                                        <img src="https://media.newyorker.com/photos/5d4c86cb7d6dbe0008a21c1e/1:1/w_1040%2Cc_limit/190819_r34783-tout.jpg" srcset="https://media.newyorker.com/photos/5d4c86cb7d6dbe0008a21c1e/1:1/w_520%2Cc_limit/190819_r34783-tout.jpg 1x, https://media.newyorker.com/photos/5d4c86cb7d6dbe0008a21c1e/1:1/w_1040%2Cc_limit/190819_r34783-tout.jpg 2x, https://media.newyorker.com/photos/5d4c86cb7d6dbe0008a21c1e/1:1/w_1560%2Cc_limit/190819_r34783-tout.jpg 3x" class="responsive" alt="Erich Wolfgang Korngold" role="presentation" style="-ms-interpolation-mode: bicubic; display: block; border: 0; outline: none; text-decoration: none; width: 100%; height: auto; padding-bottom: 10px;">

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                                        <h3 class="hed" style="margin: 0; padding: 0; font-family: Georgia, Times, 'Times New Roman', serif; text-align: left; font-size: 36px; font-weight: normal; line-height: 1.11; padding-top: 10px; color: #121212;">

                                          <!--[if gte mso 12]><a href="https://link.newyorker.com/click/17799251.107125/aHR0cHM6Ly93d3cubmV3eW9ya2VyLmNvbS9tYWdhemluZS8yMDE5LzA4LzE5L2VyaWNoLXdvbGZnYW5nLWtvcm5nb2xkLXRoZS1vcGVyYS1jb21wb3Nlci13aG8td2VudC1ob2xseXdvb2Q_dXRtX2NhbXBhaWduPWF1ZC1kZXYmdXRtX3NvdXJjZT1ubCZ1dG1fYnJhbmQ9dG55JnV0bV9tYWlsaW5nPVROWV9SZWNvbW1lbmRzXzA4MTcxOSZ1dG1fbWVkaXVtPWVtYWlsJmJ4aWQ9NWQ1MGJjMmQ3YWNlNWExMjAwNDJkMTY4JmNuZGlkPQ/5d50bc2d7ace5a120042d168E4a62fd5a" class="msoLink msoLink-hed" target="_blank"><![endif]-->Erich Wolfgang Korngold, the Opera Composer Who Went Hollywood

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                                        <p class="dek" style="-ms-text-size-adjust: 100%; -webkit-text-size-adjust: 100%; margin: 1em 0 0; font-family: Georgia, Times, 'Times New Roman', serif; text-align: left; font-size: 18px; line-height: 1.44; color: #121212; padding-bottom: 20px;">

                                          <!--[if gte mso 12]><a href="https://link.newyorker.com/click/17799251.107125/aHR0cHM6Ly93d3cubmV3eW9ya2VyLmNvbS9tYWdhemluZS8yMDE5LzA4LzE5L2VyaWNoLXdvbGZnYW5nLWtvcm5nb2xkLXRoZS1vcGVyYS1jb21wb3Nlci13aG8td2VudC1ob2xseXdvb2Q_dXRtX2NhbXBhaWduPWF1ZC1kZXYmdXRtX3NvdXJjZT1ubCZ1dG1fYnJhbmQ9dG55JnV0bV9tYWlsaW5nPVROWV9SZWNvbW1lbmRzXzA4MTcxOSZ1dG1fbWVkaXVtPWVtYWlsJmJ4aWQ9NWQ1MGJjMmQ3YWNlNWExMjAwNDJkMTY4JmNuZGlkPQ/5d50bc2d7ace5a120042d168F4a62fd5a" class="msoLink msoLink-dek" target="_blank"><![endif]-->His melodic gift rivalled Puccini&#x2019;s&#x2014;but his reputation suffered when he began writing movie scores. Now the classical world is giving him a fresh listen.

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                                      <a class="item article " href="https://www.newyorker.com/magazine/2019/08/26/whered-you-go-bernadette-is-at-cate-blanchetts-command?utm_campaign=aud-dev&utm_source=nl&utm_brand=tny&utm_mailing=TNY_Recommends_081719&utm_medium=email&bxid=5d50bc2d7ace5a120042d168&cndid=&utm_term=TNY_Recommends" name="container-3-item-1" target="_blank" style="-ms-text-size-adjust: 100%; -webkit-text-size-adjust: 100%; text-decoration: none; display: block;">
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                                              <img src="https://media.newyorker.com/photos/5d55b31e0df9500008a25ab4/1:1/w_500%2Cc_limit/190826_r34825.jpg" srcset="https://media.newyorker.com/photos/5d55b31e0df9500008a25ab4/1:1/w_250%2Cc_limit/190826_r34825.jpg 1x, https://media.newyorker.com/photos/5d55b31e0df9500008a25ab4/1:1/w_500%2Cc_limit/190826_r34825.jpg 2x, https://media.newyorker.com/photos/5d55b31e0df9500008a25ab4/1:1/w_750%2Cc_limit/190826_r34825.jpg 3x" class="responsive" alt="Where&#x27;d You Go, Bernadette?" role="presentation" style="-ms-interpolation-mode: bicubic; display: block; border: 0; outline: none; text-decoration: none; width: 100%; height: auto;">

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<!--[if gte mso 12]><a href="https://link.newyorker.com/click/17799251.107125/aHR0cHM6Ly93d3cubmV3eW9ya2VyLmNvbS9tYWdhemluZS8yMDE5LzA4LzI2L3doZXJlZC15b3UtZ28tYmVybmFkZXR0ZS1pcy1hdC1jYXRlLWJsYW5jaGV0dHMtY29tbWFuZD91dG1fY2FtcGFpZ249YXVkLWRldiZ1dG1fc291cmNlPW5sJnV0bV9icmFuZD10bnkmdXRtX21haWxpbmc9VE5ZX1JlY29tbWVuZHNfMDgxNzE5JnV0bV9tZWRpdW09ZW1haWwmYnhpZD01ZDUwYmMyZDdhY2U1YTEyMDA0MmQxNjgmY25kaWQ9/5d50bc2d7ace5a120042d168D624af5bc" class="msoLink msoLink-rubric" target="_blank"><![endif]-->The Current Cinema

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                                              <h3 class="hed" style="margin: 0; padding: 0; text-align: left; font-family: Georgia, Times, 'Times New Roman', serif; font-size: 28px; line-height: 1.14; font-weight: normal; color: #121212;">

                                                <!--[if gte mso 12]><a href="https://link.newyorker.com/click/17799251.107125/aHR0cHM6Ly93d3cubmV3eW9ya2VyLmNvbS9tYWdhemluZS8yMDE5LzA4LzI2L3doZXJlZC15b3UtZ28tYmVybmFkZXR0ZS1pcy1hdC1jYXRlLWJsYW5jaGV0dHMtY29tbWFuZD91dG1fY2FtcGFpZ249YXVkLWRldiZ1dG1fc291cmNlPW5sJnV0bV9icmFuZD10bnkmdXRtX21haWxpbmc9VE5ZX1JlY29tbWVuZHNfMDgxNzE5JnV0bV9tZWRpdW09ZW1haWwmYnhpZD01ZDUwYmMyZDdhY2U1YTEyMDA0MmQxNjgmY25kaWQ9/5d50bc2d7ace5a120042d168E624af5bc" class="msoLink msoLink-hed" target="_blank"><![endif]-->&#x201C;Where&#x2019;d You Go, Bernadette?&#x201D; Is at Cate Blanchett&#x2019;s Command

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                                                <!--[if gte mso 12]><a href="https://link.newyorker.com/click/17799251.107125/aHR0cHM6Ly93d3cubmV3eW9ya2VyLmNvbS9tYWdhemluZS8yMDE5LzA4LzI2L3doZXJlZC15b3UtZ28tYmVybmFkZXR0ZS1pcy1hdC1jYXRlLWJsYW5jaGV0dHMtY29tbWFuZD91dG1fY2FtcGFpZ249YXVkLWRldiZ1dG1fc291cmNlPW5sJnV0bV9icmFuZD10bnkmdXRtX21haWxpbmc9VE5ZX1JlY29tbWVuZHNfMDgxNzE5JnV0bV9tZWRpdW09ZW1haWwmYnhpZD01ZDUwYmMyZDdhY2U1YTEyMDA0MmQxNjgmY25kaWQ9/5d50bc2d7ace5a120042d168F624af5bc" class="msoLink msoLink-dek" target="_blank"><![endif]-->In Richard Linklater&#x2019;s adaptation of the Maria Semple novel, Blanchett&#x2019;s leading performance treads joyfully close to excess, savoring the pleasures of the brink.

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<!--[if gte mso 12]><a href="https://link.newyorker.com/click/17799251.107125/aHR0cHM6Ly93d3cubmV3eW9ya2VyLmNvbS9tYWdhemluZS8yMDE5LzA4LzI2L3doZXJlZC15b3UtZ28tYmVybmFkZXR0ZS1pcy1hdC1jYXRlLWJsYW5jaGV0dHMtY29tbWFuZD91dG1fY2FtcGFpZ249YXVkLWRldiZ1dG1fc291cmNlPW5sJnV0bV9icmFuZD10bnkmdXRtX21haWxpbmc9VE5ZX1JlY29tbWVuZHNfMDgxNzE5JnV0bV9tZWRpdW09ZW1haWwmYnhpZD01ZDUwYmMyZDdhY2U1YTEyMDA0MmQxNjgmY25kaWQ9/5d50bc2d7ace5a120042d168G624af5bc" class="msoLink msoLink-contributor" target="_blank"><![endif]-->Anthony Lane

<!--[if gte mso 12]></a><![endif]--></span>
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                                              <h3 class="hed" style="margin: 0; padding: 0; text-align: left; font-family: Georgia, Times, 'Times New Roman', serif; font-size: 28px; line-height: 1.14; font-weight: normal; color: #121212;">

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                                                <!--[if gte mso 12]></a><![endif]-->
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                                                <!--[if gte mso 12]><a href="https://link.newyorker.com/click/17799251.107125/aHR0cHM6Ly93d3cubmV3eW9ya2VyLmNvbS9tYWdhemluZS8yMDE5LzA4LzE5L3RlYS1vYnJlaHQtcmVpbWFnaW5lcy10aGUtd2VzdGVybj91dG1fY2FtcGFpZ249YXVkLWRldiZ1dG1fc291cmNlPW5sJnV0bV9icmFuZD10bnkmdXRtX21haWxpbmc9VE5ZX1JlY29tbWVuZHNfMDgxNzE5JnV0bV9tZWRpdW09ZW1haWwmYnhpZD01ZDUwYmMyZDdhY2U1YTEyMDA0MmQxNjgmY25kaWQ9/5d50bc2d7ace5a120042d168Fb0f75def" class="msoLink msoLink-dek" target="_blank"><![endif]-->Her second novel, &#x201C;Inland,&#x201D; brings unexpected disturbances to the American landscape she grew up romanticizing from afar.

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                                      <a class="item article " href="https://www.newyorker.com/magazine/2019/08/19/endgames-in-sea-wall-a-life-and-coriolanus?utm_campaign=aud-dev&utm_source=nl&utm_brand=tny&utm_mailing=TNY_Recommends_081719&utm_medium=email&bxid=5d50bc2d7ace5a120042d168&cndid=&utm_term=TNY_Recommends" name="container-3-item-3" target="_blank" style="-ms-text-size-adjust: 100%; -webkit-text-size-adjust: 100%; text-decoration: none; display: block;">
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                                              <img src="https://media.newyorker.com/photos/5d4df2672662ae00080429b9/1:1/w_500%2Cc_limit/190819_r34784-tout.jpg" srcset="https://media.newyorker.com/photos/5d4df2672662ae00080429b9/1:1/w_250%2Cc_limit/190819_r34784-tout.jpg 1x, https://media.newyorker.com/photos/5d4df2672662ae00080429b9/1:1/w_500%2Cc_limit/190819_r34784-tout.jpg 2x, https://media.newyorker.com/photos/5d4df2672662ae00080429b9/1:1/w_750%2Cc_limit/190819_r34784-tout.jpg 3x" class="responsive" alt="Jake Gyllenhaal and Tom Sturridge in &#x201C;Sea Wall/A Life&#x201D;" role="presentation" style="-ms-interpolation-mode: bicubic; display: block; border: 0; outline: none; text-decoration: none; width: 100%; height: auto;">

                                              <!--[if gte mso 12]></a><![endif]-->
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                                              <span class="rubric" style="margin: 0; font-family: Georgia, Times, 'Times New Roman', serif; font-size: 13px; font-style: italic; color: #df3331; padding-right: 18px; display: block; line-height: normal; padding-bottom: 10px;">

<!--[if gte mso 12]><a href="https://link.newyorker.com/click/17799251.107125/aHR0cHM6Ly93d3cubmV3eW9ya2VyLmNvbS9tYWdhemluZS8yMDE5LzA4LzE5L2VuZGdhbWVzLWluLXNlYS13YWxsLWEtbGlmZS1hbmQtY29yaW9sYW51cz91dG1fY2FtcGFpZ249YXVkLWRldiZ1dG1fc291cmNlPW5sJnV0bV9icmFuZD10bnkmdXRtX21haWxpbmc9VE5ZX1JlY29tbWVuZHNfMDgxNzE5JnV0bV9tZWRpdW09ZW1haWwmYnhpZD01ZDUwYmMyZDdhY2U1YTEyMDA0MmQxNjgmY25kaWQ9/5d50bc2d7ace5a120042d168D8bc560ae" class="msoLink msoLink-rubric" target="_blank"><![endif]-->The Theatre

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                                              <h3 class="hed" style="margin: 0; padding: 0; text-align: left; font-family: Georgia, Times, 'Times New Roman', serif; font-size: 28px; line-height: 1.14; font-weight: normal; color: #121212;">

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                                                <!--[if gte mso 12]><a href="https://link.newyorker.com/click/17799251.107125/aHR0cHM6Ly93d3cubmV3eW9ya2VyLmNvbS9tYWdhemluZS8yMDE5LzA4LzE5L2VuZGdhbWVzLWluLXNlYS13YWxsLWEtbGlmZS1hbmQtY29yaW9sYW51cz91dG1fY2FtcGFpZ249YXVkLWRldiZ1dG1fc291cmNlPW5sJnV0bV9icmFuZD10bnkmdXRtX21haWxpbmc9VE5ZX1JlY29tbWVuZHNfMDgxNzE5JnV0bV9tZWRpdW09ZW1haWwmYnhpZD01ZDUwYmMyZDdhY2U1YTEyMDA0MmQxNjgmY25kaWQ9/5d50bc2d7ace5a120042d168F8bc560ae" class="msoLink msoLink-dek" target="_blank"><![endif]-->Jake Gyllenhaal and Tom Sturridge take pains to dredge up feelings of audience profundity, and the Public presents a colorful new rendition at Shakespeare in the Park.

                                                <!--[if gte mso 12]></a><![endif]-->
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                                                By <span class="contributor">

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<!--[if gte mso 12]></a><![endif]--></span>
                                        <h3 class="hed" style="margin: 0; padding: 0; text-align: left; font-family: Georgia, Times, 'Times New Roman', serif; font-size: 28px; line-height: 1.14; font-weight: normal; color: #121212; padding-top: 10px;">

                                          <!--[if gte mso 12]><a href="https://link.newyorker.com/click/17799251.107125/aHR0cHM6Ly93d3cubmV3eW9ya2VyLmNvbS9zY2llbmNlL2VsZW1lbnRzL3RoZS1wZXJzdWFzaXZlLXBvd2VyLW9mLXRoZS13b2xmLWxhZHk_dXRtX2NhbXBhaWduPWF1ZC1kZXYmdXRtX3NvdXJjZT1ubCZ1dG1fYnJhbmQ9dG55JnV0bV9tYWlsaW5nPVROWV9SZWNvbW1lbmRzXzA4MTcxOSZ1dG1fbWVkaXVtPWVtYWlsJmJ4aWQ9NWQ1MGJjMmQ3YWNlNWExMjAwNDJkMTY4JmNuZGlkPQ/5d50bc2d7ace5a120042d168E7308a527" class="msoLink msoLink-hed" target="_blank"><![endif]-->The Persuasive Power of the Wolf Lady

                                          <!--[if gte mso 12]></a><![endif]-->
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                                        <p class="dek" style="-ms-text-size-adjust: 100%; -webkit-text-size-adjust: 100%; margin: 1em 0 0; margin-top: .5em; font-family: Georgia, Times, 'Times New Roman', serif; font-size: 16px; line-height: 1.38; color: #121212;">

                                          <!--[if gte mso 12]><a href="https://link.newyorker.com/click/17799251.107125/aHR0cHM6Ly93d3cubmV3eW9ya2VyLmNvbS9zY2llbmNlL2VsZW1lbnRzL3RoZS1wZXJzdWFzaXZlLXBvd2VyLW9mLXRoZS13b2xmLWxhZHk_dXRtX2NhbXBhaWduPWF1ZC1kZXYmdXRtX3NvdXJjZT1ubCZ1dG1fYnJhbmQ9dG55JnV0bV9tYWlsaW5nPVROWV9SZWNvbW1lbmRzXzA4MTcxOSZ1dG1fbWVkaXVtPWVtYWlsJmJ4aWQ9NWQ1MGJjMmQ3YWNlNWExMjAwNDJkMTY4JmNuZGlkPQ/5d50bc2d7ace5a120042d168F7308a527" class="msoLink msoLink-dek" target="_blank"><![endif]-->To bridge the divide between wolf-lovers and ranchers, the conservationist Karin Vardaman had to change many minds&#x2014;including her own.

                                          <!--[if gte mso 12]></a><![endif]-->
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                                        <div class="contributors" style="font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 13px; font-weight: bold; color: #333333; margin-top: 12px; margin-bottom: 0;">
                                          By <span class="contributor">

<!--[if gte mso 12]><a href="https://link.newyorker.com/click/17799251.107125/aHR0cHM6Ly93d3cubmV3eW9ya2VyLmNvbS9zY2llbmNlL2VsZW1lbnRzL3RoZS1wZXJzdWFzaXZlLXBvd2VyLW9mLXRoZS13b2xmLWxhZHk_dXRtX2NhbXBhaWduPWF1ZC1kZXYmdXRtX3NvdXJjZT1ubCZ1dG1fYnJhbmQ9dG55JnV0bV9tYWlsaW5nPVROWV9SZWNvbW1lbmRzXzA4MTcxOSZ1dG1fbWVkaXVtPWVtYWlsJmJ4aWQ9NWQ1MGJjMmQ3YWNlNWExMjAwNDJkMTY4JmNuZGlkPQ/5d50bc2d7ace5a120042d168G7308a527" class="msoLink msoLink-contributor" target="_blank"><![endif]-->Ingfei Chen

<!--[if gte mso 12]></a><![endif]--></span>
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                                <a class="item article" href="https://www.newyorker.com/science/elements/the-nihilistic-euphoria-of-the-fish-tube?utm_campaign=aud-dev&utm_source=nl&utm_brand=tny&utm_mailing=TNY_Recommends_081719&utm_medium=email&bxid=5d50bc2d7ace5a120042d168&cndid=&utm_term=TNY_Recommends" name="container-5-item-2" target="_blank" role="listitem" style="-ms-text-size-adjust: 100%; -webkit-text-size-adjust: 100%; text-decoration: none; display: block;">
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                                        <img src="https://media.newyorker.com/photos/5d54892e1cafba0008ee2bab/1:1/w_500%2Cc_limit/Riederer-FishTube.jpg" srcset="https://media.newyorker.com/photos/5d54892e1cafba0008ee2bab/1:1/w_250%2Cc_limit/Riederer-FishTube.jpg 1x, https://media.newyorker.com/photos/5d54892e1cafba0008ee2bab/1:1/w_500%2Cc_limit/Riederer-FishTube.jpg 2x, https://media.newyorker.com/photos/5d54892e1cafba0008ee2bab/1:1/w_750%2Cc_limit/Riederer-FishTube.jpg 3x" class="responsive" alt="A fish traveling through a yellow tube." role="presentation" style="-ms-interpolation-mode: bicubic; display: block; border: 0; outline: none; text-decoration: none; width: 100%; height: auto; padding-bottom: 12px;">

                                        <!--[if gte mso 12]></a><![endif]-->
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<!--[if gte mso 12]><a href="https://link.newyorker.com/click/17799251.107125/aHR0cHM6Ly93d3cubmV3eW9ya2VyLmNvbS9zY2llbmNlL2VsZW1lbnRzL3RoZS1uaWhpbGlzdGljLWV1cGhvcmlhLW9mLXRoZS1maXNoLXR1YmU_dXRtX2NhbXBhaWduPWF1ZC1kZXYmdXRtX3NvdXJjZT1ubCZ1dG1fYnJhbmQ9dG55JnV0bV9tYWlsaW5nPVROWV9SZWNvbW1lbmRzXzA4MTcxOSZ1dG1fbWVkaXVtPWVtYWlsJmJ4aWQ9NWQ1MGJjMmQ3YWNlNWExMjAwNDJkMTY4JmNuZGlkPQ/5d50bc2d7ace5a120042d168Dfd46f956" class="msoLink msoLink-rubric" target="_blank"><![endif]-->Elements

<!--[if gte mso 12]></a><![endif]--></span>
                                        <h3 class="hed" style="margin: 0; padding: 0; text-align: left; font-family: Georgia, Times, 'Times New Roman', serif; font-size: 28px; line-height: 1.14; font-weight: normal; color: #121212; padding-top: 10px;">

                                          <!--[if gte mso 12]><a href="https://link.newyorker.com/click/17799251.107125/aHR0cHM6Ly93d3cubmV3eW9ya2VyLmNvbS9zY2llbmNlL2VsZW1lbnRzL3RoZS1uaWhpbGlzdGljLWV1cGhvcmlhLW9mLXRoZS1maXNoLXR1YmU_dXRtX2NhbXBhaWduPWF1ZC1kZXYmdXRtX3NvdXJjZT1ubCZ1dG1fYnJhbmQ9dG55JnV0bV9tYWlsaW5nPVROWV9SZWNvbW1lbmRzXzA4MTcxOSZ1dG1fbWVkaXVtPWVtYWlsJmJ4aWQ9NWQ1MGJjMmQ3YWNlNWExMjAwNDJkMTY4JmNuZGlkPQ/5d50bc2d7ace5a120042d168Efd46f956" class="msoLink msoLink-hed" target="_blank"><![endif]-->The Nihilistic Euphoria of the Fish Tube

                                          <!--[if gte mso 12]></a><![endif]-->
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                                        <p class="dek" style="-ms-text-size-adjust: 100%; -webkit-text-size-adjust: 100%; margin: 1em 0 0; margin-top: .5em; font-family: Georgia, Times, 'Times New Roman', serif; font-size: 16px; line-height: 1.38; color: #121212;">

                                          <!--[if gte mso 12]><a href="https://link.newyorker.com/click/17799251.107125/aHR0cHM6Ly93d3cubmV3eW9ya2VyLmNvbS9zY2llbmNlL2VsZW1lbnRzL3RoZS1uaWhpbGlzdGljLWV1cGhvcmlhLW9mLXRoZS1maXNoLXR1YmU_dXRtX2NhbXBhaWduPWF1ZC1kZXYmdXRtX3NvdXJjZT1ubCZ1dG1fYnJhbmQ9dG55JnV0bV9tYWlsaW5nPVROWV9SZWNvbW1lbmRzXzA4MTcxOSZ1dG1fbWVkaXVtPWVtYWlsJmJ4aWQ9NWQ1MGJjMmQ3YWNlNWExMjAwNDJkMTY4JmNuZGlkPQ/5d50bc2d7ace5a120042d168Ffd46f956" class="msoLink msoLink-dek" target="_blank"><![endif]-->The tube, made by a company called Whooshh, is designed to move fish and eels around dams, but watching it in action can raise existential questions.

                                          <!--[if gte mso 12]></a><![endif]-->
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                                        <div class="contributors" style="font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 13px; font-weight: bold; color: #333333; margin-top: 12px; margin-bottom: 0;">
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<!--[if gte mso 12]><a href="https://link.newyorker.com/click/17799251.107125/aHR0cHM6Ly93d3cubmV3eW9ya2VyLmNvbS9zY2llbmNlL2VsZW1lbnRzL3RoZS1uaWhpbGlzdGljLWV1cGhvcmlhLW9mLXRoZS1maXNoLXR1YmU_dXRtX2NhbXBhaWduPWF1ZC1kZXYmdXRtX3NvdXJjZT1ubCZ1dG1fYnJhbmQ9dG55JnV0bV9tYWlsaW5nPVROWV9SZWNvbW1lbmRzXzA4MTcxOSZ1dG1fbWVkaXVtPWVtYWlsJmJ4aWQ9NWQ1MGJjMmQ3YWNlNWExMjAwNDJkMTY4JmNuZGlkPQ/5d50bc2d7ace5a120042d168Gfd46f956" class="msoLink msoLink-contributor" target="_blank"><![endif]-->Rachel Riederer

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