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HTML

              
                <div class="wrapper">

  <h1>Hey, I'm Ros.</h1>
  <ul>
    <li>Producer</li>
    <li>Facilitator</li>
    <li>Systems Nerd</li>
    <li>Sentimentalist</li>
  </ul>
  <p>Made in New Zealand Currently in the UK</p>
  <h2>ME, TODAY</h2>
  <p>
    These days I prefer making over managing. I freelance and dedicate my
    remaining time to my creative projects and learning.
  </p>
  <p>
    ✍🏼 I <strong>write</strong> about how to do async remote work with ease.
  </p>
  <p>
    &#127908 I <strong>facilitate</strong> Make Time workshops with my
    human-centred friends at <a href="https://www.forgewell.co/">Forgewell</a>. We help teams structure their
    workload to be healthier, happier, productive humans. I've run workshops
    for Google, Ofgem, L'Oreal, Kiehl's, Biotherm and Yves Saint Laurent
    beauty.
  </p>
  <p>
    👩🏼‍💻 I <strong>design and build</strong> easy operation systems for
    solopreneurs and small businesses. While some people find making systems
    tedious, I love it. Smooth systems recover your time to strategise, and
    work deeply on what matters to you. My motto: "I want better problems".
  </p>
  <p>
    I care about: Simple unbloated solutions, doing generous work, heartfelt
    and meaningful conversations, and savouring the slow road to mastery.
  </p>
  <div class="timeline">
    <h2>COMPANIES I STARTED:</h2>
    <section>
      <h3>Founder, Time Flow</h3>
      <h4>2021 - now, Remote</h4>
      <p>
        I speak and write about smarter ways of working async in a remote
        environment. I build uncomplicated operation systems for solopreneurs
        and small businesses for your days to feel more cool, calm, and
        'cucumber-ed'
      </p>
    </section>
    <section>
      <h3>Co-founder &amp; COO, Affiliate World Conferences</h3>
      <h4>2015 - 2020, London / Remote</h4>
      <div>
        <p>
          Under my tenure, the company turned over $27M in revenue. Thrasio
          acquired AWC in 2021.
        </p>
        <p>
          I developed the brand identity; built the operation systems; managed
          the finances; oversaw developing bespoke technology systems; and
          developed the marketing and sponsorship strategies. I recruited and
          managed a fulltime team of 30 with offices in London, Manila, and
          remote.
        </p>
        <p>
          Alongside leading the business, I directed the production of the 3-day
          live events in London, Bangkok, Berlin, and Barcelona. 22,500+ people
          attended and 1,200+ companies exhibited.
        </p>
        <p>
          Here, I finessed my operation processes doing remote work (before it
          was mainstreamish).
        </p>
      </div>
    </section>
    <h2>EVENT / FILM PRODUCTION</h2>
    <p>
      As a producer, I'm adept at running a smooth operation. I have 13 years
      experience managing film and large-scale events, with my events being
      attended by more than 25,000 people. I've led productions in the UK,
      Spain, Germany, Thailand, India, and New Zealand. My short film, "Kamali",
      won several international awards, received a 2020 BAFTA award nomination,
      and was long-listed for an Academy Award.
    </p>
    <section>
      <h3>Co-founder &amp; director, Affiliate World Asia</h3>
      <h4>2015 - 2019, Bangkok</h4>
      <p>Event: Annual marketing conference (3,000+ attendees)</p>
    </section>
    <section>
      <h3>Co-founder &amp; director<br />Affiliate World Europe</h3>
      <h4>2016 - 2019, Berlin & Barcelona</h4>
      <p>Event: Annual marketing conference (3,000+ attendees)</p>
    </section>
    <section>
      <h3>Producer<br />SheCommerce</h3>
      <h4>2018 - 2019, Bangkok & Barcelona</h4>
      <p>Event: Bi-annual marketing conference (150+ attendees)</p>
    </section>
    <section>
      <h3>Executive producer &amp; producer, "Kamali" by Sasha Rainbow Productions</h3>
      <h4>2017, Mahabalipuram</h4>
      <div>
        <p>Film: Short</p>
        <ul>
          <li>Winner: Best Short Documentary at 2019 Atlanta Film Festival</li>
          <li>Best Documentary Short at 2019 Raindance Film Festival</li>
          <li>Nominated: Best British Short Film at the 2020 BAFTAs</li>
          <li>and many others</li>
        </ul>
      </div>
    </section>
    <section>
      <h3>Producer<br />"Alpha Female" by Wild Beasts</h3>
      <h4>2016, Bangalore</h4>
      <p>Film: Music video</p>
    </section>
    <section>
      <h3>Executive producer &amp; producer, Roboteka by Silver Underground Productions</h3>
      <h4>2016, Berlin</h4>
      <p>Film: Short / Event: Immersive party (1,000+ attendees)</p>
    </section>
    <section>
      <h3>Executive producer &amp; director, Blind Tiger Night by Silver Underground Productions</h3>
      <h4>2015, Bangkok</h4>
      <p>Film: Short / Event: Immersive party (1,000+ attendees)</p>
    </section>
    <section>
      <h3>Producer, STM London by STM</h3>
      <h4>2015, London</h4>
      <p>Event: Marketing conference (700 attendees)</p>
    </section>
    <section>
      <h3>Executive producer, Weta Digital 20th Anniversary Party by Koko Creative</h3>
      <h4>2014, Wellington</h4>
      <p>Event: Private immersive party (2,500+ attendees)</p>
    </section>
    <section>
      <h3>Production manager, Art in the Dark by Celery Productions</h3>
      <h4>2014, Auckland</h4>
      <p>Event: Outdoor art festival (30,000+ attendees)</p>
    </section>
    <section>
      <h3>Producer's assistant, "Crouching Tiger, Hidden Dragon 2: Sword of Destiny" by The
        Weinstein Company</h3>
      <h4>2014, Auckland</h4>
      <p>Film: Feature</p>
    </section>
    <section>
      <h3>Executive assistant to the CEO, New Zealand Film Commission</h3>
      <h4>2011 - 2014, Wellington</h4>
      <p>Film: Financing & development</p>
    </section>
    <section>
      <h3>Creative producer, Dead Startup Society by Creative HQ</h3>
      <h4>2013, Wellington</h4>
      <p>Event: Networking event (100 attendees)</p>
    </section>
    <section>
      <h3>Art direction assistant, "Unnatural History" by Alex Backhouse</h3>
      <h4>2013, Wellington</h4>
      <p>Film: Short</p>
    </section>
    <section>
      <h3>Wardrobe assistant, "UFO" by Little Wolf</h3>
      <h4>2013, Wellington</h4>
      <p>Film: Short</p>
    </section>
    <section>
      <h3>Production assistant, "Queenie" by National Park Studios</h3>
      <h4>2012, Wellington</h4>
      <p>Film: Short</p>
    </section>
    <section>
      <h3>Wardrobe assistant, "Apple Tree" by Bohemian Thanni</h3>
      <h4>2012, Wellington</h4>
      <p>Film: Music video</p>
    </section>
    <section>
      <h3>Production assistant, "Turnaround" by Ahoribuzz</h3>
      <h4>2011, Wellington</h4>
      <p>Film: Music video</p>
    </section>
    <section>
      <h3>Production assistant, "Contract Killers" by Gun Nut Films</h3>
      <h4>2011, Wellington</h4>
      <p>Film: Feature</p>
    </section>
    <section>
      <h3>3rd assistant director, "Hook, Line &amp; Sinker" by Torchlight Films</h3>
      <h4>2010, Wellington</h4>
      <p>Film: Feature</p>
    </section>
    <section>
      <h3>Producer, "Living With Ivy" by Self-Produced</h3>
      <h4>2010, Wellington</h4>
      <p>Film: Short</p>
    </section>
  </div>
</div>
              
            
!

CSS

              
                *,
::after,
::before {
}
/*
1. Use a consistent sensible line-height in all browsers.
2. Prevent adjustments of font size after orientation changes in iOS.
3. Use a more readable tab size.
4. Use the user's configured `sans` font-family by default.
*/

html {
  line-height: 1.5;
  /* 1 */
  -webkit-text-size-adjust: 100%;
  /* 2 */
  -moz-tab-size: 4;
  /* 3 */
  -o-tab-size: 4;
  tab-size: 4;
  /* 3 */
  font-family: system-ui, -apple-system, BlinkMacSystemFont, Segoe UI, Roboto,
    Oxygen, Ubuntu, Cantarell, Open Sans, Helvetica Neue, sans-serif,
    -apple-system, BlinkMacSystemFont, "Segoe UI", Roboto, Oxygen, Ubuntu,
    Cantarell, "Open Sans", "Helvetica Neue", sans-serif, BlinkMacSystemFont,
    Segoe UI, Roboto, Oxygen, Ubuntu, Cantarell, Open Sans, Helvetica Neue,
    sans-serif;
  /* 4 */
}
/*
Took this from James' code but it doesn't seem to budge
*/

.job .date {
  display: inline;
  width: 125px;
  float: left;
}
.job div {
  overflow: hidden;
  /*Below is taken from James and it is messing with the alignment.
  */
  max-width: 75vw;
  width: 85%;
  margin: auto;
}
@media screen and (max-width: 450px) {
  .job .date {
    width: auto;
    float: none;
  }
}

/* START HERE */
.wrapper {
	max-width: 500px;
	margin: 0 auto;
}
.timeline section {
	display: grid;
	grid-template-areas:
		"title title"
		"date content";
	grid-template-columns: .5fr 1fr;
	grid-gap: 1em;
	align-items: top;
	h3 {
		grid-area: title
	}
	h4 {
		grid-area: date
	}
	div, > p {
		grid-area: content;
	}
}

@media (max-width: 400px) {
	.timeline section {
		grid-template-areas:
		  "title"
		  "date"
		  "content";
		grid-template-columns: 1fr;
	}
}

.timeline {
	h4, p {
		margin: 0;
	}
}
              
            
!

JS

              
                
              
            
!
999px

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